yeah she’ll take you clubbing
Please let TIME magazine know of your disapproval. Let them know that they can’t honor homophobes, racists, and fascist dictators over people working against those conventions and not receive backlash for it.
If you don’t want to type up your own e-mail, there is a copy-and-pastable version of the e-mail above under the read more. You can send it as is, make adjustments, anything.
If you agree that the TIME 100 should be modified to reflect the poll they offered, and if you agree that we should have a say in who influences us, please just take a minute to do this.
OMG IM LIKE a whole week late wow ok buT YEA HAPPY BELATED BIRTHDAY LEE!!
I made a thing about stretching! Some of the images are hard to see, but if you click on them they should produce a larger image!
Image sources that aren’t mine (the three routines):
THIS SHOWED UP ON MY DASH. WHAT.
Thanks for this.
I need to be better about this lest I lose all flexibility and become a 2x4.
Some of these are for your lower back omg
let’s see how pathetic I am at these right now
have a meulin!
edit: what in the world are those little dots on her shirt??? here, take a better version. goddammit, tumblr.
freckles are important
You’re really great with facial expressions and I love your line quality SO much.
i didn’t even know my lines had quality wow this really means a lot thank youuuuu
I love your art so much.
aaaaaahhh thank you ;m;
Tuesday Tips SUPER WEEK - Feet
I don’t often have to draw bare feet, unless I’m doing Life Drawing. When storyboarding, the focus is generally not on the feet. They also are usually covered (shoes, socks), or just not shown on screen that much. Nonetheless, it’s important to understand their functionality and general appeal. Keep details to a minimum, unless the character uses its bare feet to grasp things or do things with them most humans don’t. The best example of pushing feet to an extreme degree of functionality would be Disney’s Tarzan (one of my all time favorite). Other than that, don’t draw too much attention to them, but find appeal in its shapes.